Co-cathedral Basilica of Maria Santissima di Romania
The Norman face of a broader artistic history
Probably founded in the 11th century and rebuilt in the 12th, the co-cathedral stands on the site of a pre-existing Byzantine structure, on the northern part of the Tropea cliff, previously occupied by an early Christian cemetery, around which the medieval center of the city grew.
Its current appearance was strongly influenced by stylistic restorations in the early twentieth century, which removed most of the changes to the architectural structure introduced in the modern age that are poorly documented in the sources. The two consecrations of the cathedral in 1496 and 1576 probably document the completion of some renovation work.
On the main front, the door with a false arched prothyrum is surmounted by a sixteenth-century oculus, which illuminates the internal space.
The basilica plan with three naves is punctuated by pointed arches of different widths. To the side of the right nave there are numerous chapels, which house tombs and monuments created on the initiative of representatives of the city's political and cultural elite.
Among these rooms, the Greek cross chapel stands out. With access close to the presbytery, it is dedicated first to Santa Domenica, then to the Blessed Sacrament, and was rebuilt in the early eighteenth century. The seventeenth-century construction of the bell tower was followed, at the end of the following century, by a series of works to update the basilica’s aesthetics.
After the earthquake of 1783, numerous restorations became necessary. However they were overcome by the radical restoration that followed the earthquakes of 1905 and 1908, which saw the reconfiguration of the three apses of the choir, to a new profile and greater depth.
Photogallery
What to see here
Statue of the Madonna del Popolo
The statue is located to the right of the presbytery area and is among the works certainly attributable to Giovan Angelo Montorsoli, a highly refined sculptor appreciated by Michelangelo
In 1598 Giuseppe Galzerano, a member of the local nobility of Tropea, commissioned the work to the Messina sculptor Pietro Barbalonga for the altar of his family chapel
The characteristics of the tomb fall within a model that was already widespread in Naples in the Angevin period that also persisted in the Aragonese period and in the first decades of the sixteenth century.
The tomb is located in the second chapel on the right hand nave of the cathedral. It was commissioned by Antonello Galluppi, baron of Cirella, Ioppolo and Coccorino, for his five deceased children.
The tabernacle, placed in front of the left apse in correspondence with the altar dedicated to the dying Saint Joseph, was commissioned in the second half of the fifteenth century by Pietro Balbo, bishop of Tropea.
The dates of birth and death of this personality are not known. He was a member of the city's patriciate whose first known documentary mention is represented by the commissioning of the relief of the Nativity for his own chapel.
Belonging to the Pisan branch of a well-known Venetian patrician family, he began his studies in Padua, continuing them in Mantua under the guidance of Vittorino da Feltre.
The Nomicisio family was among the noble families of Tropea in 1567, and from the beginning of the following century some of them became mayors of the city.