Relief of the Nativity

A fragment of a lost sixteenth-century patrician chapel in a new architectural setting

In 1598 Giuseppe Galzerano, a member of the local nobility of Tropea, commissioned the work to the Messina sculptor Pietro Barbalonga for the altar of his family chapel, dedicated to the Nativity scene and placed in correspondence with one of the pillars in the cathedral. 

The relief was completed two years later, as demonstrated by the payment received by the artist. 

The Nativity scene is framed within an elegant architectural structure and offers a double representation of the scene, inside and outside the stable, which takes on the appearance of a wooden temple. 

In accordance with a passage from the Gospel of Luke, in addition to the Holy Family, the multitude of angels who announced the birth of Jesus and, below, the crowd of shepherds who flocked to Bethlehem to worship him are depicted above. 

The current location of the reredos under a pulpit dates back to 1790, when Bishop Vincenzo Monforte made it part of the decoration of the new liturgical furnishings during the renovations promoted in the cathedral after the earthquake of 1783.

 

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