An extraordinary point of convergence and a wonderful synthesis between Latin Catholicism and Greek Christianity
The cathedral was founded in the Norman period between the end of the 11th and the beginning of the 12th century, on a pre-existing and more modest Byzantine church located at the level of the crypt. It was restored after an earthquake and reconsecrated when Frederick II passed by. During the thirteenth century a chapel dedicated to the Madonna dell'Itria was constructed in its hypogeum.
The dedication to Saint Mary the Virgin is documented for the first time during the episcopate of the famous scholar and philosopher Barlaam of Seminara, who was Francesco Petrarca's Greek teacher. In the first half of the fifteenth century the church was affected by significant transformations in the presbytery, with an extension of the choir and the construction of the chapel of San Giovanni Battista, dedicated in the following century to the Blessed Sacrament.
Starting at the same time in the 15th century, numerous tombs and shrines of the families of the urban and feudal aristocracy were created in the building.
In the sixteenth century numerous changes were undertaken, including the renovation of the choir and sacristy, to adapt them to Tridentine standards. The construction of the access staircase to the crypt located in the left arm of the transept dates back to the seventeenth century.
The continuous restorations made necessary by the numerous earthquakes were also accompanied by significant changes, such as the opening of the baroque gate that gives access to the crypt from Piazza Tribuna. Following the earthquake of 1783, significant parts of the building were reconstructed, such as the choir and the vaults.
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Chapel of the Santissimo Sacramento
The initial construction of the chapel, probably founded in the 1420s, can be traced to the commission of the Countess of Gerace, Caterina Concublet de Arena
The crypt space was excavated below the Norman cathedral, on the site of a Byzantine church, that was extended in 1045, with three arms of the same length, which testify to an initial Greek cross layout.
Only the pink marble basin of the marble baptismal font, built by order of Bishop Ottaviano Pasqua in 1578 remains intact. On it the client's coat of arms with a crowned rampant lion is sculpted in relief
The tombstone of the bishop of Gerace Atanasio Chalkeopoulos, an erudite prelate from Constantinople near Bessarion, was created in 1585 by order of the prelate Ottaviano Pasqua in order to magnify his figure
The funerary monument of Bishop Andrea Candida attests to the consideration paid to his reforming action in the diocese, almost two centuries after his mandate.
The monument celebrates the memory of the bishop of Gerace Ottaviano Pasqua, a distinguished Genoese prelate, nephew of Simone Pasqua, presbyter cardinal of San Pancrazio fuori le mura.
The refined marble relief, depicting the Incredulity of Saint Thomas, is all that remains of a larger reredos, which represents the last Calabrian work by the famous sculptor Antonello Gagini.
The tomb of Giovanni and Battista Caracciolo, counts of Gerace in the first half of the fifteenth century, was constructed much later, on the mandate of Ferdinando Caracciolo, duke of Airola and count of Biccheri
The Polizzi tomb is all that remains of a chapel, dedicated to Santa Maria del Riposo and established in the right wing of the cathedral’s transept in 1599.
Nato a Costantinopoli prima della conquista ottomana, decise di trasferirsi in Italia ed entrò a far parte del circolo culturale del cardinale Bessarione. In seguito, divenne vescovo di Gerace e di Oppido
Cittadino di Gerace, dottore in medicina e proprietario terriero, disponeva certamente di molto denaro contante, che prestava a tassi d’interesse vantaggiosi a personaggi importanti, come il signore di Brancaleone.
Figlio ed erede del conte di Biccari, signore anche di feudi in Puglia, Calabria e Abruzzo, fu un personaggio di notevole rilevanza durante la seconda metà del Cinquecento, a cui furono affidati delicati incarichi diplomatici, militari e governativi
Primogenito del conte di Gerace, il nobile napoletano Antonio Caracciolo, Giovanni ereditò i feudi paterni alla fine del Trecento e sposò in seconde nozze Caterina Concublet, figlia del potente signore di Arena e di Mileto
Influente e facoltosa famiglia attestata a Gerace e in Calabria nel secolo XVI, il cui legame con la nobile e omonima casata siciliana è ancora incerto.
Primogenito del conte di Gerace Battista Caracciolo, insieme al padre sostenne dapprima Renato d’Angiò e fu in seguito perdonato da Alfonso d’Aragona, nuovo sovrano di Napoli, che gli concesse l’immunità e altri feudi in Calabria.
Appartenente alla famiglia Mercurio di Gerace e membro del capitolo cattedrale, fu abate di Santa Maria della Croce, cenobio degli eremitani zumbiani di sant’Agostino, nei pressi di Castelvetere (Caulonia).
Appartenente ai Carafa della Stadera, ramo della nobile famiglia napoletana, era parente del celebre Diomede Carafa, membro di spicco della corte aragonese, del futuro papa Paolo IV e di Oliviero Carafa, potente cardinale e arcivescovo di Napoli