Relief with the disbelief of Saint Thomas

Last precious fragment of Antonello Gagini's work in Calabria

The refined marble relief, depicting the Incredulity of Saint Thomas, is all that remains of a larger reredos, which represents the last Calabrian work by the famous sculptor Antonello Gagini. The dating of 1531 can be deduced from the inscription placed on the lower band of the scene panel, which also mentions the client, Tommaso Mercuri, canon of the Gerace Cathedral and vicar of the bishop Girolamo Planca, according to what is known from documentary sources. 

The coats of arms placed on the lower plinth which correspond to the heraldic emblems of the family allude to the promoter of the work. 

The importance of Mercuri in the episcopal context of Gerace gave him the right to create the altar, of which the relief was the marble altarpiece. The iconographic and decorative program must have been much more complex, involving the room of a chapel that no longer exists but which was still used by Mercuri's heirs in the mid-16th century, during the episcopate of Andrea Candida. This is demonstrated by the pilasters on the sides of the sculptural representation, which have evidently been moved from their original position. Equally eccentric is the character of the bases which differ in material and quality of workmanship from the other parts of the work.

 

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